Ruth Lorenzo rose to fame thanks to her time on the British talent show "The X Factor", where she placed fifth. Once the competition was over she continued her independent musical career in the UK. In 2014 she agreed to participate in the Eurovision Song Contest representing Spain. Ruth Lorenzo's second album is made up mainly of songs in English with the exception of a couple of songs in Spanish, thus following the change of course that began with the reissue of her first album. In the artist's words her second album "has a very different sound to 'Planeta Azul', as they were stories of a girl and in this album I talk more about my time in London".
When accidentally destroying his workplace gets successful salesman Teddy (Kevin Hart) fired, he can't find another decent job unless he finally gets his GED. But two major things stand in his way: Carrie (Tiffany Haddish), a teacher with no time for grown-up class clowns, and Stewart (Taran Killam), Teddy's high school nemesis-turned-principal who will do anything to see him fail. Now every school rule is about to be broken when they all go head-to-head in a wild battle of wits, pranks and lessons you can't learn in books. Night School is in session!
Mercury Prize nominated recording artist, Ed Harcourt, releases his eight studio album Beyond The End. It sees the supremely versatile singer, writer and all-round instrumentalist bravely eschew vocals and lyrics and create a soft-spoken yet emotionally loquacious group of piano-led instrumentals. It is as if Harcourt is sound-tracking an as yet invisible film, or responding to today's ferocious shouting match of a planet with a mesmerizing, meditative calm.
Limited yellow and black colored vinyl LP pressing. 2018 release from the Cleveland, OH based pop-punk unit. Afterlife was recorded and produced by Will Yip (who also produced 2015's I'll See You When I See You) and features the single "Back Then." The song has a classic simple rock and roll vibe melded with some new school punk rock elements. Lyrically the song was written about the band's first time on the road, which was between high school and college and sets the tone sonically for the record. Lead vocalist, Pat Kennedy had this to say about how much Afterlife means to him: "Afterlife is where Light Years has been heading for the past 8 years. We spent more time on this record than anything we have done before and I think it shows. We tried new sounds and ideas that before we would have never thought to do, or been willing to try, which I think only comes from the maturity you get from being in a band for so many years. We hope people like this record as much as we do, but if they don't, we really don't care."
A psychological-horror series set in the Stephen King multiverse, Castle Rock is an original story that combines the mythological scale and intimate character storytelling of King’s best-loved works, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland.
Old Sea Brigade releases his highly anticipated full-length debut Ode to a Friend. While the songs remain rooted in Americana, indie, rock, and ambient soundscapes, they also toss and turn between analog cinematic flourishes and provocative lyricism. At times singer-songwriter, other times indie-rock – no matter the inspiration behind the mélange of styles, Cramer has created a soundscape of the utmost sincerity and beauty. Throughout Ode...Old Sea Brigade tackles one of life’s most complex crises: how to make each day’s fleeting moments amount to something. It's these deeply introspective, meditative songs that make Old Sea Brigade so compelling.
Double vinyl LP pressing. Twenty is a career retrospective, celebrating 20 years of Taking Back Sunday. The collection spans all seven of their full-length studio albums: Tell All Your Friends, Where You Want To Be, Louder Now, New Again, Taking Back Sunday, Happiness Is and Tidal Wave. Whether your introduction to the band was singing along to "A Decade Under The Influence" in a sweaty club or hearing "MakeDamnSure" or "Sink Into Me" on the radio, Twenty is a look back at some of the highlights from this genre-defying band. Additionally, fans will be able to hear newly recorded songs, which hint at the direction that Taking Back Sunday are heading in the coming years.
Ski Mask The Slump God is set to release his debut album STOKELEY via Victor Victor / Republic Records on
January 11th, 2019. The breakout album includes the fan favorite, "Nuketown" featuring Juice WRLD as well as the underground hits "Foot Fungus" and "Faucet Failure."
In music as in love, one + one can add up to not two but a new and greater one. On Heart Songs two of the world's greatest guitarists, Tommy Emmanuel and John Knowles, make this clear. Both are masters of their instrument, honored by the iconic Chet Atkins with the rare designation of CGP (Certified Guitar Players). Their early journeys were dissimilar. Emmanuel began his in Australia, grew up on the road with his family's band, settled as a teenager in Sydney and left his rock band to launch a spectacular solo career. Knowles followed a more academic path, eventually earning a PH.D. in physics from Texas Christian University but then electing to pursue his true love of music. Inevitably they would cross paths, become friends and perform on stages and clinics around the world. Their styles are distinctive but for that very reason they mesh seamlessly, with Knowles generally creating sophisticated but compelling foundations over which Emmanuel's guitar soars in astonishing yet always musical flights.
SOILWORK has been around, in one form or another, for twenty years now. Some people say that they haven’t made anything worth listening to after “Steelbath Suicide”. Some have only heard “Stabbing The Drama. Some think “The Living Infinite”, the band’s 2013 double disc release, was quite epic. It’s all good. At this point in a band’s career, you can either choose the nostalgia route, playing old albums in their entirety, because that makes an easy package for promoters to sell. Verkligheten, the title of Soilwork’s latest offering, is the Swedish word for reality, the entity that we’re all trying to escape from. Verkligheten is their attempt to try and go somewhere else, to express all those things that are born in between hypnagogic states and frenzies of hyperrealism. SOILWORK is a band that has been through a lot. They don’t have to try and tidy things up by using clichés like personal and/or musical differences. It has been hell. They are not young anymore, and their reality these days is the hellhounds on their tails, the ghosts in their subconscious and the coldness of existence that starts eating at the soul the very day that you leave the womb. We can no longer escape the fact that we’re vulnerable to the shortcomings of life itself.
Over 250,000 albums sold worldwide. Tour history includes: Asking Alexandria, Periphery, August Burns Red, The Vans Warped Tour, The Mayhem Festival, and many successful (sold out) headline tours. Born of Osiris is currently direct-support to Killswitch Engage in the United States and will continue to tour the US + worldwide in support of the album “The Simulation” (2018, 2019, 2020).
Born of Osiris has an incredible die-hard fanbase, with over 6 Million reach through social media platforms around the world.
Born of Osiris ”The Simulation” will be available Digitally, CD and on VINYL
Norwegian 19 year old indie pop sensation Boy Pablo releases double EP on 2cd set full of winningly naïve but old soul pop. Disc 1 is the brand new Soy Pablo EP, featuring new single “Feeling Lonely” along with “Losing You” and “Sick Feeling.” Disc 2 is his Roy Pablo EP from 2017, never before released on CD. Tremendous press; Pitchfork, Fader, Pigeons & Planes, i-D. Touring the world this fall with two dates in LA… full US tour in Spring 2019. Vinyl of each EP to be released in January 2019.
Country singer and songwriter Randy Houser was born and raised in Lak, Mississippi, where his love of music was apparent even as a young child. Houser starterd fronting bands when he was around 13 years old and continued playing local gigs all the way through high school. Magnolia is his first new full length since 2016's "Fired Up".
Buoyed by the smashing success of his recent trio of EPs – The Monologue, The Paradox and The Boy Who Cried Freedom – Nigerian-born British singer-songwriter Jacob Banks released his eagerly awaited full album debut, Village, on Interscope Records. Jacob’s powerful vocals and genre-bending style quickly received widespread praise everywhere from Billboard, The FADER, Complex, Interview, PAPER and NYLON, and TIME Magazine. This fall Jacob will embark on the Village worldwide tour.
Gregory Porter One Night Only – Live at the Royal Albert Hall captures the two-time GRAMMY-winning singer in a stunning live performance at the famed London venue with his band accompanied by the London Studio Orchestra conducted and arranged by Vince Mendoza. Porter sings songs from his acclaimed recent album Nat King Cole & Me, as well as favorite songs of his own including “Hey Laura,” “No Love Dying,” “Don’t Lose Your Steam,” and “When Love Was King.”
Live album from Grammy and Country Music Award-winning Southern rockers packs an adrenaline-fueled punch from the opening crunch of "Big Boss Man" to a thunderous take on the Beatles' "Don't Let Me Down." The fun continues on three bonus studio tracks featuring Chuck Berry pianist Johnnie Johnson that end the disc, as JJ and KHH bring out the best in blues chestnuts "Rock Me Baby" and "Hi-Heeled Sneakers," plus a combustible KHH original "Rock 'N' Roller."
Most people haven’t heard of Esens, Germany, once home to Baroque composer Philipp Heinrich Erlebach. Nestled at whatever-end of Lower Saxony, where the East Frisian Islands form a barrier against the wailing North Sea, the town of 7,000 has slept the years away. However, rising death metal stars NAILED TO OBSCURITY are about to put Esens on the proverbial map with new album, “Black Frost”, their first for Nuclear Blast Records. Formed in 2005, NAILED TO OBSCURITY went through the usual ups and downs as a band. Mere months after forming, NAILED TO OBSCURITY issued their first demo, “Our Darkness”. While most bands live and die on the possibility of signing a label deal, NAILED TO OBSCURITY persevered, releasing their debut album, “Abyss”, independently in 2007. Since then the band has released two full length releases, “Opaque” (2013) and “King Delusion” (2017). Today, NAILED TO OBSCURITY remains a labor of love with band members spread out over Germany, but they still shack up on weekends in the rehearsal room in Esens to write together. That’s how new album, “Black Frost”, was born. Songs like 'Tears Of The Eyeless,' 'The Aberrant Host,' 'Road To Perdition,' and the magnificent title track were part of NAILED TO OBSCURITY’s weekend forays into the depths of melodic death metal (and beyond). The frantic pace at which “Black Frost” was written, however, didn’t impact the quality of songcraft. Whereas “King Delusion” focused on the pairing of savagery and melody, “Black Frost” changes up the formula. Call it maturity or desire to present ideas differently, NAILED TO OBSCURITY’s new songs churn, swirl, and coalesce around and into the band’s engaging if cloudy psychosocial lyrics.
Debut EP from 19 year old Norwegian indie pop star released for the first time on vinyl. Originally released digitally in May 2017, the six song EP features the singles “Everytime” and “Dance, Baby.” Limited pressing will be on 140g white vinyl.
Soy Pablo is the sophomore EP from Boy Pablo, Norway’s new indie pop sensation, now available on vinyl. Originally released digitally in October 2018, the seven song EP features “Sick Feeling” and “Losing You.” Limited pressing will be on 140g light blue vinyl.
Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter joins forces with director David Gordon Green and producer Jason Blum (Get Out, Split) for this follow-up to Carpenter's 1978 classic.
Be careful what you wish for. With their after school junk business, best friends Sonny and Sam hope to find treasure in other people’s trash. But when cleaning out the old Stine house, they open a locked book that frees a supernatural nightmare – Slappy! Now, with the help of Sonny’s sister Sarah, they’re in a race against time to get the sinister dummy and all the creatures he’s brought to life back into the pages before he unleashes total pandemonium!
What happens when four legends of British stage and screen get together? Dame Maggie Smith, Dame Judi Dench, Dame Eileen Atkins, and Dame Joan Plowright are among the most celebrated actresses of our time, with scores of iconic performances, decades of wisdom, and innumerable Oscars, Tonys, Emmys, and BAFTAs between them. They are also longtime friends who hereby invite you to join them for a weekend in the country as they catch up with one another, reminisce, and share their candid, delightfully irreverent thoughts on everything from art to aging to love to a life lived in the spotlight. Bursting with devilish wit and whip-smart insights, Tea With The Dames is a remarkable opportunity to spend time in the company of four all-time greats up close and unfiltered.
“On Monday 15th January this year Dolores O’Riordan died in London. Two days later she was due to come into BMG and play us the song demos for a new Cranberries album. At this point none of us believed there would be another studio album from the band.
A couple of months later the remaining band members (Noel, Fergal & Mike) listened through to the vocals with producer Stephen Street and with the full support of Dolores’s family the decision was taken to take the vocal tracks and for the band to complete the recording of the album. This was a direct reaction to the strength of the material Dolores had left as her legacy.
The end result is a euphoric alternative rock albumon a par with the band’s best work, and together with the striking album artwork (by original band photographer Andy Earl and original sleeve designer Cally Calloman), celebrates vitality and optimism albeit tinged with tremendous poignancy.”
Almost Free, the new release from FIDLAR touches on many of the tragedies and irritations of modern life: existential dread, gentrification, the inescapable sway of the super-rich and the self-involved, post-breakup telecommunication, performative wokeness, the loneliness of sobriety or the lack thereof. But through sheer force of imagination and an unchecked joie de vivre, the L.A.-based band manages to turn feeling wrong into something glorious and essential. In the age of joyless self-care, Almost Free makes a brilliant case for being less careful, for living without fear of fucking up, and possibly embracing any incurred damage as a lucky symptom of being alive. The album sees the band pushing boundaries into new territory and influences while staying true to their unshakable core. "A lot of the vibe was, 'Well, why can't we do that? Why can't we have horns? Why can't we have key changes? Why can't we have a harmonica loop?', said lead singer/guitarist Zac Carper. It was abouttaking the ceiling off. Having it be limitless. Ain't no rules." Elvis added "Almost Free feels like a step forward for us in a lot of ways. We tried to be true to ourselves and let the music come out naturally, without fear of how people would receive it.
Acclaimed New Zealand singer/songwriter and multi-instrumentalist Graeme James has built a large and loyal fan base throughout his home country with his captivating live shows and unique folk style, performing with the aid of a loop pedal to layer electric violin, guitar, bass, baritone ukulele, mandolin, harmonica, percussion, and beatboxing in his one-man-band sound.
Hailed as a 'striking debut album' (WXPN World Cafe), One Moment More is celebrating its 15th anniversary with a first ever vinyl release. One Moment More was co-produced by Smith and Steve Buckingham and recorded in Nashville. Featuring 11 original compositions, the album was nominated for two 2004 Americana Music Awards Album of the Year and the newly created New/Emerging Artist the latter of which Mindy was the first to win.
"Puppy’s anticipated debut album is a fusion of mighty riffs, infectious melodies and genre-bustin’ ambition. In short, it’s like nothing else. Since releasing their ‘Vol II’ EP in 2017, this London-based trio have been climbing the ranks of rock royalty; they’ve featured on ‘Guitar Hero’ and they’ve appeared at a host of major festivals, including Glastonbury, picking up heavy praise (The Guardian, Radio One, etc.) along the way… All of which has paved the way for ‘The Goat’ – 12 tracks that successfully combine the left-field melodic turns of Weezer, the hazy fuzz of Smashing Pumpkins and the straight-to-the bone sonics of the Big Four of Thrash, the end result being a signature sound that hides a bloody, occult-esque heart beneath its festival-ready choruses. With eight of the album’s 12 tracks produced by Neil Kennedy (Creeper, Boston Manor) and the remaining four by Tom Dalgety (Royal Blood, Ghost), ‘The Goat’ is a record that’ll inspire grins from even the most grizzled of metalheads and headbanging from the most hesitant of indie kids, dodging convention and pretension at every turn in favour of a fun-first approach. With video tracks ‘Black Hole’, ‘Demons’ & ‘Entombed’ all proudly featured, the latter pair in emboldened guise, ‘The Goat’ will be one of 2019’s finest guitar albums from one of the country’s most entrancing new bands. "
Musical Prophet: The Expanded 1963 New York Studio Sessions is the first official release of previously-unissued Eric Dolphy studio recordings in over 30 years! This release contains the masterpiece albums Conversations and Iron Man recorded in NYC in July, 1963. The 3CD set features jazz greats such as saxophonist Sonny Simmons, trumpeter Woody Shaw, bassist Richard Davis and NEA Jazz Master vibraphonist Bobby Hutcherson. The 100 pg.booklet includes rare and unpublished photos, essays and interviews.
Lil Baby’s Street Gossip caps off a year most artists of his stature would die for. He kicked in the door with Harder Than Ever and followed up with Gunna collaborative Drip Harder, establishing himself as one of the most beloved young voices in Atlanta and his Quality Control label. Street Gossip is both a victory lap and a victory in itself; an urgent and also worthy addition to Lil Baby’s catalog. The album features Atlanta heroes 2Chainz, Young Thug, Gucci Mane, Gunna, Offset and Meek Mill.
Topping the Billboard R&B charts in 1957, Bill Justis' "Raunchy" is one of the most successful rock & roll instrumental tracks of all time. Having grown up in Memphis, Justis played an integral part in the development of rock music, working with artists on the legendary Sun Record Company, as well as recording music for himself. This collection of instrumentals pays homage to 1960's era rock & roll scene of the south. Now the album has been remastered for its first vinyl pressing in nearly five decades.
In 2019 the legendary US band Kiss will bring their pyro-loving, make up-wearing, guitar-shredding live show to the world! It's KISSWORLD Kiss, America's #1 Gold Record Award winning group of all time in every category, have a stunning catalogue of rock n roll classics. "KISSWORLD - The Best OF Kiss" brings 20 of their best loved tracks together on one album. Iconic fan favorites such as "I Was Made For Lovin' You", "Rock And Roll All Nite", "Detroit Rock City" and others in one huge collection.
The Recording Academy™'s GRAMMY Recordings® and Republic Records have revealed the track listing for the 2019 GRAMMY® Nominees album. Set for release on Jan. 25 in stores and via digital retailers, the latest installment of the best-selling series—now in its 25th year—features a collection of top-charting hits from many of this year's illustrious GRAMMY-nominated artists. A portion of album proceeds will benefit the year-round work of the GRAMMY Museum® and MusiCares®—two charitable organizations founded by the Recording Academy that focus on music education programs and critical assistance for music people in need.
The 2019 GRAMMY Nominees album features 22 hits from the world's top recording artists and emerging talent, including Record Of The Year nominees Cardi B, Bad Bunny & J Balvin; Brandi Carlile; Childish Gambino; Drake; Lady Gaga & Bradley Cooper; Kendrick Lamar & SZA; Post Malone featuring 21 Savage; and Zedd, Maren Morris & Grey.
"The artists highlighted on this year's album represent the overall diversity of the artists being recognized as 2019 GRAMMY nominees," said Neil Portnow, President/CEO of the Recording Academy. "We are very grateful to partner with Republic Records to release this impressive collection of songs, and to raise funds and awareness for the GRAMMY Museum and MusiCares—the two philanthropic organizations of the Recording Academy dedicated to supporting our musical culture and music creators."
"This year's 2019 GRAMMY Nominees album is a testament to an incredible year in music," said Monte Lipman, founder and CEO of Republic Records. "It’s an honor to work alongside the Recording Academy and support these two important charities in the artist community."
Prismism examines our basic relationships and interactions, with family, friends and co-workers, how one can feel trapped by their surroundings, as well as those that rely on them, emotionally and/or professionally. It applies to Dave's difficulties in reconciling his domestic and career choices and finds the solution in the very thing that brought him here in the first place -- the music. Combining both acoustic and electric guitars, as well as a longtime fascination with keyboards and electronic music -- which he wasn't able to explore as much as he would've liked in The Killers -- Keuning has created a psychic diary that allows us to connect the dots and learn what brought him to a career crossroads.
• Remastered and restored performance originally recorded and broadcast in 1974. • On LP officially for the first time. • New liner notes from authors Robert Gordon and Rich Tupica. • Liners include an interview with bassist, John Lightman. Big Star recorded their second album, Radio City, as a trio, after the departure of founding member Chris Bell. When it came time to tour, original bassist Andy Hummel decided to return to school to pursue his engineering education. With this departure, Alex Chilton and Jody Stephens recruited fellow Memphis native John Lightman to take over on bass duties, and the band readied their live set. That set is on display as Big Star recorded a radio session at Ultrasonic Studios in New York for broadcast on the city’s preeminent WLIR. Nearly two decades later, those recordings were issued as Live in 1992. Omnivore Recordings is proud to reintroduce those recordings, restored and remastered from the original tapes, as Live On WLIR, on CD—and, its first official release on LP. The 15 track set features material from the band’s two releases, as well as a cover of “Motel Blues” by Loudon Wainwright III (which originally appeared on his classic 1971 sophomore release, Album II). With new, updated liner notes from Memphis writer/filmmaker, Robert Gordon (who won a Grammy® for his essay in 2010’s Big Star boxed set Keep An Eye On The Sky) and an interview with John Lightman by Chris Bell biographer Rich Tupica (There Was A Light: The Cosmic History Of Big Star Founder Chris Bell), Live On WLIR enters the Big Star canon in the form it deserves. Because, you know, you get what you deserve.
The story of Seattle's rise to global rock supremacy in the late '80s and early '90s begins with Green River. Made up of Jeff Ament (bass), Mark Arm (guitar/vocals), Bruce Fairweather (guitar), Stone Gossard (guitar), and Alex Shumway (drums), the quintet put out three 12”s and a 7” single during its brief existence. Green River's influence on Seattle's music scene spread far and wide thanks to the members' dispersion into bands including Pearl Jam, Mudhoney, and Love Battery, as well as the punk-glam-sludge-rock songs they left behind. "By '83, '84, there was definitely a movement that was happening within hardcore, like Black Flag slowing down for My War," says Arm. "The Replacements and Butthole Surfers were rearing their heads, and they're very different bands, but they're not hardcore—the Replacements are pretty much straight-up rock, and Butthole Surfers were God knows what. Sonic Youth's Bad Moon Rising was around, and a lot of really interesting post-hardcore things were happening." Green River, which formed in 1984, was part of that evolution, with a sound that straddled a lot of different genres—blues, punk, bloozy straight-ahead rock. The mini-LP Dry As A Bone, which came out in 1987, and the band's lone full-length Rehab Doll, which came out in 1988, were released as a single CD with a few bonus cuts, including their sneering cover of David Bowie's "Queen Bitch" and their marauding version of Dead Boys' "Ain't Nothin' to Do," in 1990—but they've been unavailable on vinyl for years. Now, these slices of Seattle music history are not only back in print, they're accompanied by items from the vaults that had been forgotten about for decades. Dry As A Bone was recorded at Jack Endino's Reciprocal Recording in 1986, and it shows the band in furious form, with Arm's yowl battling Fairweather and Gossard's ferocious guitar playing on "This Town" and "Unwind" opening as a slow bluesy grind then jump-starting itself into a hyperactive chase. The deluxe edition includes Green River's cuts from the crucial Seattle-scene compilation Deep Six, as well as long-lost songs that were recorded to the now-archaic format Betamax. Rehab Doll, recorded largely at Seattle's Steve Lawson Studios., bridges the gap between the taut, punky energy of Dry As a Bone and the bigger drums and thicker riffs that were coming to dominate rock in the late '80s. This new edition of Rehab Doll includes a version of “Swallow My Pride” recorded to 8-track at Endino's Reciprocal Recording, which features a more accurate depiction of how the band sounded when they played live. "When I listen to these mixes, I think, 'This is how we actually sounded—this is the kind of energy we had,'" says Shumway. Green River's place in American music history is without question, but these recordings paint a more complete picture of the band—and of rock in the mid- to late-'80s, when punk's faster-and-louder ideals had begun shape-shifting into other ideas.